The widow of world-famous Korean-German composer Yun Isang would like to see her husband’s honor restored:
Lee Soo-ja, 79, widow of renowned composer Isang Yun, appeared nervous when the conference room was packed with journalists from South Korea; a place she had stayed away from for more than three decades but now wants to revisit any time soon, when her husband’s honor is restored.
“Everyday, I hope that the South Korean government would restore the honor of the artist who was so dedicated to the Korean people, so that his spirit could finally visit his hometown,” she said during the press conference.
Lee was the center of attention during a ceremony here from Friday through Sunday to pay tribute to her late husband (1917-1995). North Korean officials carried her bags around, and South Korean cameras rallied around her.
Yun, as you probably know, was abducted from Berlin by South Korean agents in 1967 for involvement in the so-called “East Berlin Spy Incident” and sentenced to life imprisonment. He was later released after Seoul bowed to widespread international condemnation. While Yun had visited the North Korean embassy in East Berlin and even went to Pyongyang in 1963, it has yet to be proven that his collaboration with North Korea went anywhere beyond that. At least until the point of his kidnapping. About Yun, Aidan Foster-Carter wrote:
Another individual’s trajectory - make that tragic story - may help cast light on what all this was like. Yun Isang was one of the luckier ones. As the only modern Korean composer of international fame, he had distinguished musicians around the world campaigning for his release. Freed after a year, his health broken by ill-treatment, he returned to exile in Germany. Now an implacable foe of the regime that had so abused him, he did become, as he had not been before, pro-North. Kim Il-sung wooed him: invited him to Pyongyang, named a music academy for him, had his works performed. (An intriguing blend of Western modernist and oriental styles, this must be a breath of fresh air amid all the Kimist kitsch.)
I met Yun Isang, and talked to him at some length. He was no communist; but he was bitter, and proud. One thing he was proud of was that his son or daughter (I forget which) had married a North Korean: “So you see,” he quipped, “at least in my family I have reunified my country.” That was in the 1980s. Later, with democracy restored, he hoped to go home; but the Southern government demanded more by way of apology than he was prepared to yield. He died in 1995, still an exile. Only recently was the ban on his music in South Korea lifted - though I don’t think it ever extended to the official anthem of Dong-A University, the leading school in Busan and Yun’s alma mater. Isn’t all this mad, bad, and sad?
Said Yun’s widow:
“From the time he was studying in Japan before coming to West Germany, my husband had very strong affection toward Korean people and was very keen on the sense of justice,” Lee said. “The [East Berlin Spy Incident] case changed his thinking, music, ideology, everything. He felt the reality and pains of the nation’s division so directly. After that, his music became heavy, he composed music that reflected Korean people’s agony.”
Frankly, this leaves a really bad taste in my mouth. Don’t get me wrong—the South should definitely apologize for kidnapping the guy and restore his honor. But I have to ask how much “honor” the guy has left. A lot of people took abuse during the 60s, 70s and 80s. Not all of them, however, responded by getting buddy-buddy with an even bigger despot. Kim Dae-jung was driven off the road in an assassination attempt, kidnapped during another assassination attempt, sentenced to die after watching his hometown stormed after an army siege and sent into exile. But he never responded by collaborating with the North. When Rep. (and Gyeonggi-do gubernatorial candidate) Kim Mun-su was arrested in 1986, he got to “feel the reality and pains of the nation’s division so directly” when police introduced him to the fine arts of water torture, electrical torture and the beating of the genitals. After that he got two-and-a-half years in the pen to reminisce about it. And who knows—perhaps he did flirt with North Korea back then; a lot of folk did, especially in the circles he ran in. But he sure as hell ain’t “pro-North Korean” now. I could see how Yun—if for nothing else than out of anger—might have snuggled up to Kim Il-sung and Co. after 1967. That would have been natural. But between then and 1995, when he died, surely he could have seen that the Workers’ Paradise wasn’t all it was cracked up to be. Apparently, however, he didn’t, and his widow resides in Pyongyang to this day. Now, I know full well it’s easy to pass judgment when I myself never went through the kind of ordeal Yun was forced to suffer. But still, even if Seoul does the right thing and restores his “honor,” there will—at least to me—be something decidedly “dishonorable” about the man.



8 Comments
Yun Isang is very much a poster-child of 20th Century Korea, talented, vilified and attacked by a dictorial South Korean Government, used by the despotic North Korean Government and, to this day, most South Koreans do not know or understand his music. He is actually a good composer though some of his works are too bleak for me to listen too. He did teach quite a few well known contemporary composers too who are not Korean.
I wonder if we will ever hear apologies from the North for all those they kidnapped?
I can understand jailing or executing writers and journalists, but you can’t sink much lower than taking it out on a musician.
Give the guy a break.
No doubt the guy will get a “break.” It’s just a question of how encompassing the “break” is.
It is quite easy to judge people by reports in the media without getting the whole picture. I think “He was no communist; but he was bitter, and proud.” is the most important part in the section above. I recommend reading the biography written Luise Rinser, and especially Ssi-ol 2000/2001 of the Yun foundation with the letters of Fritz Schmidt, who was a German diplomat in the times of dictatorship. Dancing with the devil (back then a South Korean dictator), he basically safed Yun’s life. Nevertheless, Yun paid a high price for NOT being a high ranking spy. His health ruined by the above mentioned torture methods, finally leading to his death, his entire family (son and daughter) restless and extinguished (grandchildren), who never found their place in this world, his music banned being played in the ROK in the past, his memorial in his hometown vandalized and on and on.
Black and white is not a good approach if you do not know details.
i just wonder..what is there “something decidedly dishonorable” about the man? did he in some way collaborated with kim il-sung when he was in pyongyang? did he write any songs praising kim or north korean regime?…may i also ask where quotes of yun’s wife are from and who aidan foster-carter is? sorry for so many questions.
Some people especially Korean ajoshis wearing camouflage pants would consider anybody even saying NK dishonorable. Some people would call letting the NK use his name for a music institute and an orchestra collaboration, while at the same time his music was banned in the South. And no, he never wrote any praising songs or musicals.
The quotes are from Korea Times: http://times.hankooki.com/lpag.....611980.htm and Aidan Foster-Carter has a homepage: http://www.aidanfc.net.
I would again add: most South Koreans don’t understand his music anyhow . . . pearls before swine and all that. The man suffered greatly and has been politically used and abused and for that I’m truly sorry.